“I am here.”

 (My theme for my novel and for 2021 - “I am here.”

Walk with me in my work @teachandwrite on Twitter.)

Gabby took the bus home to her apartment.

“Cómo estás, Luisa?” she asked the small woman in the window seat as she sat down beside her.

“Bien,” she answered. “A little tired. I cleaned a lot of rooms at the motel today. Y tu?”

“Si, bien. Un poco cansado, tambien. I scrambled a lot of eggs at the Scrambled Egg. I can’t wait to put my feet up and rest them. What you doing this evening?”

“I’m going to cook for my family and take my daughter to help me clean the doctor’s office. Then I’ll rest.”

Gabby put her arm around Luisa’s shoulder and hugged her.

“Eres una buena mujer,” Gabby said. I’m glad you’re my friend.”

“Y tu, mi amiga. Y tu.”

Gabby got off the bus in front of her apartment on the west side of the city. 

She lived on the poor side of town. 

She and her neighbors didn’t have much money, but they did have a lot of kindness for each other.

“‘Sup Gabby. How you doin’?” asked Bryant, who everyone called Big B and who had just come home from his job as a mechanic at the auto shop.

“¡Hola, Big B!” she waved. 

“Not much. 

Just glad to be home. 

How was your day?”

“It was all good. 

The squeaky wheel got the grease, as they say, today and ev’ry day!”

“One of these days, I’m gonna buy a car and the only person I’m gonna let work on it is you.”

“Deal. 

If you need anything, let me know, okay?”

“Sure thing! 

Same here.”

“You could come over and cook up some steak and eggs for me, you know.”

“Ugh, anything except that. 

I’ve cooked enough steak and eggs today...and ev’ry day!”

“Bet. 

I’m jus’ kiddin’ wit’ cha. 

Night Gabby. 

Be safe.”

“Night B. 

You be safe, too.”

She took her key out of her pocket and opened the door to her apartment. 

It was one room. 

There was a holey sofa that pulled out into a bed with a small table and a lamp beside it. 

Three books, The House on Mango Street, The Old Man and the Sea and Poems for a Brown- Eyed Girl, were on a bookshelf made out of a cut board and two concrete blocks against the wall. 

An ancient transistor radio was in the corner. 

A painting by Jasper Johns of three American flags, one on top of the other, smallest to largest, was on the wall. 

It was a gift from one of her regular customers at The Scrambled Egg.

The room was simple and beautiful, like her.

She picked up the small book of poems, turned on the lamp, sat down on the sofa.

She stretched out her legs in front of her.

She opened the book to the poem “Ode to a Migrant Woman’s Feet.”

There she read,

Her feet 

were calloused and cracked  

like rocks 

in plowed ground, 

like stones 

in turned soil, 

the soil 

she walked over 

barefooted 

as her grandfather 

turned the earth 

with donkey and plow. 

She had 

the feet 

of her grandfather, 

for she had walked 

beside him 

down the long rows 

of beans and corn 

since the time 

she learned 

to toddle. 

He had 

walked 

up and down 

those rows 

until his feet 

were broken and bent 

and made him appear 

to be 

continually 

genuflecting 

to God, 

or to the wealthy land owner, 

or to the land itself. 

Her feet 

would one day 

be broken and bent 

like that.

When her feet 

were in the soil 

it was 

as if 

they were part 

of the land, 

as if 

they held the secrets 

of the earth, 

as if 

they knew the mystery 

of how seed 

and dirt 

and water 

become 

a bean 

in a pod,

a kernel 

on an ear 

of corn. 

Her heart 

was in her feet, 

her heart 

was in the land, 

her heart 

was the mystery.

Her feet spoke, 

"Estoy aquí, 

I am here, 

Estoy aquí." 

Her feet 

were signs 

to the world - 

"I am 

a human being." 

“Estoy aquí,” she whispered. 

“I am here.”

(This beautiful watercolor of huaraches, the humble shoe, is by artist Andrea Floren. Check out her amazing work at  http://quietlyfiery.com)