Friday, November 26, 2021

migratory road

My abuelo lifted the iron knocker on the oak church door and let it fall back onto it’s tarnished iron plate. 


He did this again and again until a nun cracked open the door to the night.


The nun had worked in the inner-city for many years and had seen many things, but had never seen the beauty and suffering she saw our faces at the church door that night.


Our eyes were alight with beauty - the beauty of being.


Our bodies were heavy with suffering. 


We were covered with the dirt and sweat and blood of thousands upon thousands of miles of migration along the migratory road.


Our shoulders sagged under the weight of months of homelessness. 


The only homes we found during our journey were the simple kindnesses that people showed us along the way.


We were very still and very quiet.


The old nun wrapped her arms around us.


“Estoy aquí,” she whispered.


“I’m here.”


- trevor scott barton, migratory road, 2021





Thursday, November 25, 2021

grit

now

on


the land


migrants live


with holes in the floors


cracks in the walls, leaks in the roofs,


broken apart from years upon years of new people


moving in, moving out, broken apart by owners using money for things other than repairs


yet held together by people like my abuelo and mamí, who will move into a used place, scrub the floors and walls with soap and water


repair broken parts with things they carry with them, patch them with grit, common sense and love


- trevor scott barton, brown eyed poems, 2021





Thelonius

from trevor’s encyclopedia of plain, simple, ordinary, courageous things


Thelonius the monk lived in the hollow center of an old baobab tree. 

He tended bees, ate baobab leaves, and prayed the canonical hours, day by day, week by week, year by year.

He dressed in his only frock, a yellow one, for yellow was his favorite color, the color of the early morning sun.

He wore one pair of sandals, simple rubber ones, made of recycled tires, to keep his feet from scorching and breaking on the scalding, rocky ground.

He wrote at night by the fire beside his tree. 

It was a good time and place to write. 

It helped him remember that writing is a light against the darkness, a way listen in a cacophony of sound.

The loneliness birds came and laid stone eggs in his heart, but he was friends with the trees, friends with the bees, friends with the people, and friends with God. 

When he was looking for a tree in which to make his home, he saw some beautiful trees. 

But he chose a very ugly tree.

It was old, misshapen, and broken, one that was dying away. 

He hollowed out the trunk of that tree and made his home in the heart of it. 

A miracle happened there. 

In his first year of living in that tree, it sprouted more leaves than any other tree on the land, so many leaves that it looked they had been dabbed the greenest of green paint on an artist’s palate. 

It produced an unending source of baobab fruit for everyone near and far.

He tended the bees that lived in his tree, and the bees tended him.

They made honey in the branches of the tree. 

He climbed the tree and took the honey out of it’s holes with his bare hands and never received a single sting. 

It was as if the bees made the honey just for him. 

But he always shared it with others.

He stood in front of his tree and raised his left hand and the bees came down from their work, lit on his face, and buzzed a hymn to God.

He ate the leaves and fruit from his baobab tree and this, along with the honey, was the whole of his diet. 

Each morning he scraped the fuzz off the shell of the fruit, cracked the shell with a stone, pulled out the white, sweet and sour fruit, placed it in his iron pot of water over fire, boiled it until the fruit separated from it’s marble sized seeds, removed the seeds with a small cotton net, and dipped out the drink with a clay mug. 

Each afternoon, just before prayers, he crushed leaves from the branches of the tree in his mortar with his pestle and, after his prayers, would eat the baobab salad until he was full. 

Each evening, he added a cup of honey as a dressing to the salad and ended the day with a sweet taste on his tongue. 

He could hear amazingly well.

He heard people. 

Truly heard them.

“This is my vocation,” he thought. “It is the why of why I am here.”

For him, hearing was holding people in his heart, much like the tree held him in it’s heart. 

He brought the people into himself and let them stay there for awhile, offering them a place to be heard. 

Together they would find God in the stillness of the tree and the silence of the heart. 

He prayed each of the seven canonical hours of the day, for people who would come to the tree, and especially for people who would never come to the tree.

He healed people. 

His heart went out to them. 

One morning, he heard a meek voice at the door of his tree.

“Please, help me.”

He sat on the boulders in the courtyard around his tree and listened as she told him of her painful journey over rocky roads and high hills. 

He understood her when he saw her grotesquely shaped left foot, large and layered, like the foot of a full grown elephant. 

He watched a tear roll off her cheek and splash onto her elephantine foot, baptizing it in her sorrow. 

He took some of the baobab fruit, crushed it in his mortar, splashed three drops of water on it, and anointed her foot in faith, hope and love. 

A tear rolled off his cheek and splashed onto her elephantine foot, baptizing it in his compassion.

As she lumbered away, she knew she had been healed, even though he elephantine foot remained the same.

He only had one frock and one pair of sandals because he learned from the one who had no place to lay his head. 

The less he had, the less he needed. 

He washed his clothes before he laid down to sleep and donned them when he rose to begin the new day. 

During tierce, the 3 a.m. prayers, he wore nothing at all. 

He sat naked and remembered that God saw him just as he was.

He writes by a fire beside his tree tonight. 

He whispers a prayer to God and to everyone.

“As the smoke from the fire rises up and empties itself in the fullness of the night, may the words from my pen settle down on the emptiness of the page and fill the world with light. 

Amen.”




Wednesday, November 24, 2021

Brown Eyed Poems

The ground is my floor. 

The leaves of the trees are my ceiling.

The good earth is my hospital.

One by one, my compañeros limp to me.

They sit.

They pull off their battered boots.

They peel off their soaked socks.

They show their blistered feet to me. 

Their feet are the feet of the good earth.

A brown eyed compañera sits before me.

I wash her feet.

I gently wash away the dirt, until her feet are cool and clean. 

I rub salve on her feet.

My hands work to heal her.

She leans forward and kisses my forehead as I work.

- trevor scott barton, brown eyed poems, 2021



Yo Adrian! I’m writing 🥊📝

Rocky is my favorite movie.

I LOVE underdog stories, and Rocky is one of the underdoggiest stories I’ve ever seen and heard.

This month, Life Magazine created it’s 45th anniversary of Rocky issue. Life has always been my favorite magazine. My dream job is to be a writer for Life Magazine 🙂

So imagine the smile on my face and in my heart when I saw the issue on display at the news stand.

The pic below is of my favorite pages in the issue, pages that show Sylvester Stallone’s writing process.

He wrote the script in a red Mead notebook, the same kind of notebook I used throughout public school, the same brand of notebook I use now.

I always hand write my first drafts in battered notebooks, the same way Stallone is writing head in hand, pen in hand in his battered notebook in the picture.

My scribble looks like Stallone’s.

As a writer, I connect with this 💯 percent.

Yo Adrian! I’m writing 🥊📝



Mightier Than The Sword: Rebels, Reformers and Revolutionaries Who Changed The World Through Writing

I’m writing my way through a book - Mightier Than The Sword: Rebels, Reformers and Revolutionaries Who Changed The World Through Writing written by Rochelle Melander and illustrated by Melina Ontiveras.

Melander teaches us that the British author Edward Bulwer-Lytton said, “The pen is mightier than the sword.” (That’s my favorite saying…I have it printed on a t-shirt)

She also teaches us that Napoleon said, “Four hostile newspapers are more to be feared than a thousand bayonets.”

The first writer she spotlights is Murasaki Shikibu (978-1016), a who lived in Japan and did something no one had ever done before: she wrote a novel.

She wrote The Tale of Genji, considered one of the greatest works in Japanese literature. (I love Japanese literature. Three of my favorite Japanese authors are Yōko Ogawa, Haruki Murakami and Yasunari Kawabata. Have you read their work? Please do if you haven’t)

She wrote it in kana, a phonetic Chinese that helped develop Japanese into a written language.

It is 750,000 words long, all published by hand since it was written before the printing press was invented.

It is filled with realistic romantic and political scenes, and who doesn’t need realism in those parts of our world at the moment?

Melander gives a WRITE NOW assignment after each author study.

The assignment after Murasaki Shikibu is to write a tanka poem, a form of poetry Japanese writers use to express a shift in feeling that had a 5/7/5/7/7 syllable pattern. (You’ll notice the first three lines are where Haiku poems come from…one of my favorite forms of poetry)

So here is my tanka poem -

light settles around
a halo deep in the dark night
st. writer writing
shadows cast from the soft light
beyond a simple table

- Trevor Scott Barton, Brown Eyed Poems, 2021






Tuesday, November 23, 2021

small space

Here is a poem.

I wrote it in Fibonacci form, and I write most of my poems in the structure of the Fibonacci sequence.


I love the shape of the graphed numbers of the Fibonacci sequence (1,1,2,3,5,8,13,21...), a swirl you can find in a conch shell by the sea, a pine cone in the woods, a sunflower in a field, a Thelonius Monk song on a vinyl record, and many other places in nature and art.


I hope we can find and nurture the small spaces between us.


Small Space


We

stand

closely,

side by side.

She reaches for me

and takes my hand inside of hers.


Our fingers intertwine and our palms make a small space.


This space is warm in the midst of the deep snow that covers the frozen ground of Point Hope,


is warm against the icy wind that blows off the rocking waters of the Chukchi Sea.


“Life is in these small spaces between us,” she whispers.


We stand quietly, hand in hand

with the small space, and

then we kiss

holding

small

space.