Saturday, November 24, 2018

novel in progress

He looked up from the book in his lap as the Greyhound bus squeaked to a stop at the Greenville station. The old woman next to him fell asleep on the trip from Charleston and leaned her head on his shoulder. Her face was as wrinkled as the bark of an ancient magnolia tree, and was colored the same beautiful brown as it’s trunk and branches. As she breathed in, the air made a soft, whistling sound through her nose, and as she breathed out, it made a gentle, flapping sound through her lips. “Life is a symphony,” he chuckled to himself, “Of whistles and kazoos.”

“Ma’am,” he whispered. She didn’t move and kept right on sleeping and snoring. “Ma’am,” he said a little louder. Still only whistles and kazoos. “Ma’am,” he said a little louder still. This time he reached out and patted her weathered hand. She opened her tired, brown eyes and smiled a small smile at him. “Thanks for a lettin’ me use yo shoulda as my pilla,” she said with a gravelly voice. “First time I woked up beside a man in a long time. Hope my snorin’ didn’t bother you much,” she giggled. “No ma’am,” he said with a giggle of his own, “It was music to my ears.”

His knees and back snapped and popped as he stood up slowly and smoothed out the wrinkles in his pants and shirt. 

“My goodness,” said the old woman, “You make music, too.” 

He placed his hand gently on her bony shoulder. “We could start a band called The Human Experience,” he laughed. “People would come from all over to hear us whistle, flap, snap and pop. What do you think?”

“Yep, they’d pay a bundle of money to hear that.”

He pulled on his jacket and waved to her. 

“Goodbye, my friend,” he said. “Thanks for the song.”

She waved back. 

“Thank you,” she said. “And do me a favor. Lean down here and let me tell you somethin’.”

He leaned down and was surprised. She kissed his forehead with a light, tender kiss. 

“That’s the kiss of a guardian angel,” she whispered. “Listen to life, learn from it, and do not be afraid.”

He stepped off the bus and onto the street. Small groups of people were standing around, waiting to welcome their travelers. No one was waiting for him. 

“Oh well,” he thought, “I might not be welcomed with a kiss, but I was sent out with one. And by a guardian angel at that. So I’ve got that going for me.”

The early spring sun was bright in his eyes and made him squint to see the people and buildings around him. A hint of warmth was beginning to ease the chill of the upstate morning.

He put two quarters into the slot of a newspaper rack beside the bus station and took out a copy of the news. The headline of the day read “Governor Seeks To Keep Sanctuary Cities Out Of South Carolina.”

He walked a block toward Main Street and found a small diner that served breakfast from 5 A.M. until 10:30 A.M. and meat and three vegetable plates for the rest of the day. Little bells rang as he opened the glass door and stepped inside.

“Mornin’,” said a waitress. “Welcome to the Scrambled Egg. My name’s Gabby and today’s my tenth anniversary of workin’ here. I love it and I’ll be servin’ you today.”

“Hey Gabby,” he said. 

He reached out to shake her hand and take a menu from her. “My name’s Scotty and it’s been ten years since I’ve been to Greenville. Happy Anniversary to us!”

“Thanks and ha ha! Where you comin’ from?”

“I came up from Charleston through the night on the Greyhound bus.”

“Charleston, huh? I love the low country. There’s nothin’ like wakin’ up early, just before sunrise, and walkin’ on the beach. Goodness, I bet you didn’t get much sleep on that bus. Come over and have a seat at this table by the window. It’s the best seat in the house.”

“Thanks.”

“What can I get for you?”

“Well, I could use a hot cup of coffee and some pancakes.”

“Then you’ve come to the right place. I’ll be right back with your coffee.”

He took out his notebook and pen. He wrote as he read the article in the newspaper.

WHO - Governor of SC

WHAT - Gave a speech endorsing a bill that a state legislator from Greenville intends to introduce that would cut off state funding for three years for any town or city that becomes a sanctuary city

*A sanctuary city (for example San Francisco) does not share the immigration status with federal, state and local officials of a person in custody charged with a crime

*Currently, there are no sanctuary cities in SC

Will McCorkle, a graduate student at Clemson University who is working on a thesis examining teachers’ attitudes and awareness about the rights of immigrant students, thinks the Governors comments are a “political ploy.” He thinks the state legislator’s bill would make immigrants less likely to report crimes or cooperate with law enforcement officials. He thinks the bill could increase the chance of “families being ripped apart” if an illegal immigrant is arrested for a minor offense and is deported

WHEN - October 23, 2017

WHERE - The Greenville County Courthouse

WHY - The President wants to build a wall between the US and Mexico to keep illegal immigrants out of the US. 

The Governor’s speech took place on the opening day of arguments in a San Francisco courtroom where Jose Ines Garcia Zarate (an undocumented 45 year old immigrant) is accused of shooting and killing 32 year old Kate Steinle in July of 2015

The Governor endorsed the bill because he is afraid sanctuary cities will “take root in our state.” He doesn’t want any SC town or city to take part in “lawlessness”

The President attended a fundraiser for the Governor the week before the Governor’s speech

* Note: I do not call people “illegal” or “aliens.” I say “undocumented” and “immigrant”

Gabby walked up beside him as he wrote.

“I don’t mean to interrupt what you’re doing but your breakfast is here.” 

There was a deep kindness and thoughtfulness in her brown eyes.

“Hmm,” she noted, “You’re writing with a pen in a notebook. Don’t see that much anymore.”

“I’m old fashioned, I guess. I still like to see the words I write on a page. Helps me see that I’m moving from point A to point B and getting somewhere.”

“If you don’t mind me askin’, what’re you writin’?”

“I don’t mind you asking. I’m working on a story for my newspaper. I’m a journalist.”

“What’s your story about?”

“It’s about a family I met in Charleston, a migrant family picking peaches and tomatoes on the farms around Berkeley County. When I met them, they were living in an old, gutted out school bus behind the lower 40 acres of a peach farm. I wrote a series of articles about them last summer to try to help people walk in their shoes.”

“Well, you’re my only customer right now. Mind if I sit down with you and hear their story?”

“Sure thing. Have a seat.”

“They’re the Flores family. There’s an old man, Gustavo. He’s sinewy thin, and his arms and legs look like the far branches on a tall, old tree. He has a head full of gray hair, and that makes him look wise in the ways of the old ones in Latin America. He has wrinkles on his face that look like ruts in a dirt road. He has a rich voice, a storyteller’s voice, and he’s a good storyteller. Most of all he has kind eyes that are full of life, even though he’s seen a lot of hard times.

There’s Maria, Gustavo’s daughter. Her arms and legs look like the branches of a tree, too, only they’re like the branches closer to the trunk, thick and strong and able to carry heavy things. She has a head full of black hair that looks like a night sky on a moonless, starless night. Her brown eyes carry the moon and the stars, though. You can see the soft light when you look deep into them. She has wrinkles around those eyes, but they aren’t the wrinkles of age and time. They’re the wrinkles of worry that shouldn’t be on the face of someone in the first parts of her life. She has a soft, quiet voice and doesn’t talk much but says important things when she says something. You should see her hands and her feet. They’re calloused and worn, yet gentle and warm against the life she’s lived so far.

And there’s Tomás, Maria’s son and Gustavo’s grandson. He’s small in size, even for an ten year old, but he has a big heart. He has tiny ears but he’s a good listener. He looks at the person who’s speaking as if he’s drinking their words on a hot, humid day of farm work. He’s very smart, even though he goes from school to school on the migratory trail and misses ‘lots of days during the school year. There’s one part of him that worries me. He doesn’t speak. I don’t think it’s because he can’t. I think it’s because he doesn’t want to. I’m sure from the stories his abuelo tells that he’s seen some hard things on the road. I’d like to find a way to help him say what’s inside of him, if I can. That’s one of the reasons I’m here.”

Wednesday, November 21, 2018

from “poems for a brown eyed girl”

Her feet 
were calloused and cracked  
like rocks 
in plowed ground, 
like stones 
in turned soil, 
the soil 
she walked over 
barefooted 
as her grandfather 
plowed and turned 
the earth 
with donkey and plow. 

She had 
the feet 
of her grandfather, 
for she had walked 
beside him 
down the long rows 
of beans and corn 
since the time 
she learned 
to toddle. 

He had 
walked 
up and down 
those rows 
until his feet 
were broken and bent 
and made him appear 
to be 
continually 
genuflecting 
to God, 
or to the wealthy land owner, 
or to the land itself. 

Her feet 
would one day 
be broken and bent 
like that.

When her feet 
were in the soil 
it was 
as if 
they were part 
of the land, 
as if 
they held the secrets 
of the earth, 
as if 
they knew the mystery 
of how seed 
and dirt 
and water 
can become 
a bean 
in a pod,
a kernel 
on an ear 
of corn. 

Her heart 
was in her feet, 
her heart 
was in the land, 
her heart 
was in the mystery 
itself.

Her feet spoke, 
"Estoy aquí, 
I am here, 
estoy aquí." 

Her feet 
were signs 
to the world - 
"I am 
a human being." 


- Trevor Scott Barton, poems for a brown eyed girl, 2018

Tuesday, November 20, 2018

from ‘poems for a brown eyed girl’

They held
hands
side to side, 
shoulder to shoulder,
and leaned 
Into each other 
until they touched 
cheek to cheek. 

She turned
and kissed him, 
her lips 
touching 
his skin 
so softly
he thought 
they were 
the petals 
of the magnolia flower 
that grew 
on the branch 
of the tree 
outside his window, 
her breath 
blowing 
his skin 
so gently
he thought 
it was 
the wind
of the early morning breeze
that rocked 
the tree 
outside his window.


- Trevor Scott Barton, poems for a brown eyed girl, 2018

Friday, November 16, 2018

from “poems for a brown eyed girl”

from my chapbook “poems for a brown eyed girl”


She saw him
standing
on the rocks
that connected
her land
with the water.


The wind blew
off the icy sea
and whipped
his brown face
until he looked
as if
he might
become a part
of the salt,
sand
and sea
that made up
the Arctic land.


The three shirts
and one coat
he owned
weren't enough
to protect him
from the cold,
and the skin
of his cheeks
and the water
in his eyes
froze
with the sunset.


"He looks
so small
against the sky
and the sea,"
she thought.


"He looks
so weak
against the rocks
and the ground."


Small,
weak things
struggled
to survive
around the Chukchi Sea,
she knew.


Her heart
was big
and strong
and warm,
and that
is what helped
her live
in this cold,
icy
place.


Her eyes
were brown
and kind,
and that
is what helped
her see
in this fierce,
white
land.


"I know
his heart
is big
and strong
and warm,
too,"
she thought
as she took
the lantern
out of the window
and headed
into the evening
to guide him
in.

- Trevor Scott Barton, poems for a brown eyed girl, 2018

Thursday, November 15, 2018

from “poems for a brown eyed girl”

I’ve been thinking and writing a lot about what I call “the small, open spaces” between us. It’s where hearing takes place, it’s where ‘here’ing takes place. Here is a poem about those small, open spaces.

They stood 
side by side, 
and she reached out 
and took 
his hand
inside of hers. 

Their fingers 
intertwined 
and their palms 
made a small, open space 
between them. 

This place was warm 
in the snow 
that covered the land 
of Point Hope, 
was warm 
against the icy wind 
that blew 
off the Chukchi Sea. 

"Life is 
in the small, open spaces 
between us," 
she said.

And so 
they stood 
quietly, 
hand in hand.


Trevor Scott Barton, poems for a brown eyed girl, 2018

from “poems for a brown eyed girl”

He looked 
out the window 
over the old city 
and saw the clouds 
rolling in 
from the ocean. 

He felt 
the cool breeze 
across his body. 

He turned quietly 
and watched 
her sleep. 

The sheet rose and fell 
with each breath. 
"Is she dreaming 
of a time 
or a place, 
of the sea 
or of me?”
he wondered.

He laid down 
beside her
and thought
of her brown eyes,
of the way she looked
at the world
and him.

He moved 
close to her 
until he could feel
the breathing 
of her breath,
the beating 
of her heart 
on his body.


- Trevor Scott Barton, poems for a brown eyed girl, 2018

Wednesday, November 14, 2018

from “poems for a brown eyed girl”

The curves 
of her body 
reminded him
of the gently rolling hills 
below the mountains 
where he lived as a boy. 

Her brown eyes 
were the land to him.
She was beautiful 
like the land, 
like the flowers 
he found 
as he roamed the countryside
barefooted 
as his grandfather 
turned the earth 
with a donkey and a plow, 
like the leaves 
of the trees 
that sparkled green 
after the rains 
of the rainy season.

“Mi mariposa hermosa.”

“Estoy aqui, estoy aqui.”

They made love 
to each other 
to the sound 
of the rain
falling softly 
on the window 
in the city
of Havana.


               - Trevor Scott Barton, poems for a brown eyed girl, 2018

Tuesday, November 13, 2018

from “poems for a brown eyed girl”

She loved 
the sea. 

She knelt 
on her knees
in the water, 
and felt 
the swirl 
around her legs 
as it moved 
back and forth, 
in and out, 
with the tide. 

She tasted 
the salt 
as it splashed 
against her body 
and broke apart 
into a thousand drops 
that caressed her face 
and touched her lips. 

She listened 
to the elemental song 
as it shushed the evening 
with a lullaby 
sung
for ages. 

She looked 
with brown eyes
at the shades of blue 
as it moved gently 
toward the horizon 
and the sky.


- Trevor Scott Barton, poems for a brown eyed girl, 2018